Liz Brizzi: Mixed Media Landscape Artist

Lately I have become quite enthusiastic regarding mixed media art. Therefore I decided to research urban landscape artists that use this style of art for their work and I came across Liz Brizzi who's art work stands out with quality and seems to reflect desolation and decay. She seems to have found the knack of producing work with that scratchy and distressed atmosphere whilst still retaining colour.
Reading up on Liz Brizzi I find that her inspiration for her art comes from the industrial aspects of big cities and she has created numerous pieces centred around LA.
Liz's unique style starts with her own original photographs. She works with the idea of a 'mood' of a painting and uses the photographs she has that 'speak to her', tweaking them on photoshop, cutting them and creating a photo montage. Liz then places this photo montage onto an acrylic painted wood panel and then blends with layers of colourful acrylic washes.
Below are some examples of her work.

Quick Sketches

I have found that Sketches can be a good way to find out if a scene works for me and therefore helping me to make the decision as to whether to work with that scene in a larger or more complex project.
Here are some of my sketches that I have completed during my time at college:



Sketch from life using ink pen



sketch from life using soft pastels

sketch from photo using red and black ink



sketch from photo using ink pen

Sketch from life using Ipad and ArtRage

Urban Landscape Artists Research: Nathan Walsh

Nathan Walsh is an interesting artist, not only because his paintings are extremely life like but because his artistic technique involves extremely complex drawings resembling that of an architechural blueprint.
Many artists use a camera or computer software for the base of their paintings and work with that to complete their finished piece, however Nathan Walsh interestingly rejects this technique and instead relies on his drawings of certain chosen scenes. Walsh prefers to use his Human eye therefore giving him the chance to make pictorial decisions. With mathematical structure he is able to give his art a sense of 'real life'. His Paintings are geometrically perfect looking but actually give a sense of perhaps 'bent space'. This could question the Human eye's perception of the world and that which surrounds us.

"Working with a box of pencils and an eraser I will start establishing an horizontal line on which I will place vanishing points to construct simple linear shapes which become subdivided into more complex arrangements." Nathan Walsh. 

 Walsh's paintings take up to three or four months to complete. Here are some examples of his work.

Urban Landscape final piece: Evaluation

After careful consideration regarding the many different ways I could achieve my final piece I decided to use acrylic paints. I have enjoyed using watercolour, soft pastel, ink, etc (please see previous post) however I wanted to put forth a painting which looked almost saturated in colour and so I decided that acrylic paints were possibly a good option to use for this effect.
When it came to starting the painting I knew that the way I work tends to involve 'not putting the paint brush down'. I realise that I work best this way and if I put a painting away for a few days I may not finish it. I tend to work intensely for most of the day or days for that matter in order to get a piece of art finished. This particular painting was done over two days using acrylic paints, brushes, card and sponge from one of my own photographs of an urban landscape scene in Manchester. I started by painting a pale cream/yellow background with a wide brush, and then using the card I scraped the shapes of the different buildings onto the canvas. Then I started to add the detail, slowly building the painting up. After taking the painting to college and having words with Tony I decided to work more on the painting as I felt that some of it was a little too harsh especially the blacked out part in the bottom left hand corner, so I lightened the original photograph on my computer so I see more of the detail in the darker areas and then I painted in those parts over the blacked out area.
Here are photographs of the stages of my painting before completion.

Urban Landscape: Reflection

As we're reaching the end of the Urban Landscape project and we have been urged to consider a method and image for use on our main piece I have been looking over some of the pieces I have created so far and trying to decide which I'm most pleased with. I have used Watercolour paints, Acrylic paints, Ink, Soft Pastels and Collage or Mixed Media, and even a Photoshop piece that I'm quite happy with. However it is difficult for me to pick a favourite one.

Acrylic with Pastels: I have found that I'm quite happy to work with acrylic paints and enjoy mixing colours for the right shade. I also have found using a simple piece of card to paste the paint onto the canvas/card to be very pleasing. However I also like to use a brush and then sponge over for effect. What's more I find adding a little soft pastel to the final touches after the paint has dried works very well.

Watercolour: I was surprised to find that I liked working with watercolour as I have been avoiding it for years. I have realised that extra care has to be taken as mistakes can't be painted over like acrylics. Whites and light spaces can be a problem although masking tape and masking fluid can help keep these parts from being drowned in colour. Another golden rule with watercolour is stay away from the black and mix blue and brown instead. This advice helped tremendously.

Mixed Media/Collage: I found this style to be really enjoyable as it was a messy off the wall project that didn't really have any rules. The picture completely came out of my head and I didn't even have a plan to start with, which can be a lot of fun. However I had decided that the piece shouldn't have to make sense but instead imitate a mixture of ideas and moods. I used some of my own photographs along with acrylic paint and shredded pieces of paper glued on to the piece for effect.

Ink: I got the idea to work with ink through the first textile art class with Tom however chose to use a sponge to add my background colours and then added dark ink over the top to add the detail of walls and windows etc.

Photoshop: The photoshop painting was taken from a photograph I took a few months ago of a demolished house in Bolton. I simply added the paintbucket effect using a variety of colours and then used the smudge effect to create a melting type scenario after which I added a few faint large strokes of paintbush in some areas and then I added the 'Dark Strokes' effect which gave the painting a touch more depth and atmosphere whilst still retaining the colourful abstract style.
Here are some of my art pieces.

 

                                                     Acrylic and Pastels

 

                                                     Acrylic and Pastels

 

 

                                                          Watercolour

 

 

                                                      Mixed Media/Collage

 

 

                                                                  Ink

 

 

                                                              Photoshop

Archan Nair

I've decided to include Archan Nair in my blog on artists that inspire me. I enjoy his use of colours and themes and the unique technique he uses in expressing his imagination through visual art.
Archan Nair was born in 1982 in New Delhi. He is a self developed visual artist, illustrator and art director who specialises in mixed media, illustration and digital art. His inspiration for his art comes from the various phases of life we go through. Archan Nair  creates works of art that connect the different dimensions of our existence.

'I feel being original and discovering your own true essence is truly important. Love what you create. Imagination is the only knowledge and when we listen to our heart we have access to that knowledge.' Archan Nair

Various publications which have featured Archan include Computer Arts, Digital Arts, Advanced Photoshop, GQ, Bak and Vanity Fair and his client list includes names such as Nike, Rolling Stone, Microsoft and Vogue.
Archan Nair is proving to be a popular artists with a spiritual edge. Below are just a few examples of his work.

 

A Little Piece of David Hockney

Although I am still a little afraid of technology I am quite taken with Ipad art and so can understand why David Hockney feels that the Ipad, Iphone and no doubt various different means of technology that are yet to entice us, will be the way that artists will prefer to deliver their work. While I accept that this medium is an important asset to our technological world, I don't tend to agree with this totally. I believe that some artists will find that they prefer the hands-on approach of real paint, ink, glue, paper and scissors and the mess that comes with it. It has been said that drawings, like songs will always be around but just delivered differently. Even so I believe that some musicians still prefer tape to cubase and playing a real instrument beats inputting instructions on a computer programme. So no, I'm not entirely convinced but that doesn't mean that I don't appreciate Ipad art and the fun of experimenting and creating using different mediums. What's more I certainly do consider Hockney's work to be most impressive and extremely inspiring.
Even before the Ipad was a twinkle in a soon-to-be-rich man's eye, Hockney showed strong signs of attraction for the use of technology in art. In the 1980s he used one of the first colour photocopier's to create a series of works named 'Handmade Prints.' Hockney also repeated this technique with a fax machine.
However it was in 2008 that he discovered the Iphone and only a little while later that he found the Ipad and now is a keen Iphone and Ipad artist, sending drawn flowers to friends every morning.

The Art Of John Piper (1903 - 1992)

When I began to research the work of John Piper I wondered for a moment whether there were two artists both named John Piper as his work seems to flirt with different styles. Some of Piper's work holds a strong abstract form whilst most have a more naturalistic style. I came across the information that Piper's abstract tendencies were more prominent in the 1930s due to the influence of other rather avant garde artists with whom he was mixing with at the time (Henry Moore, Ben Nichols, Alexander Calder).
Never the less Piper's ability to shift his style only enhanced my interest and the more I read about John Piper the more impressed I became. He certainly was a man of many colours and with many talents in different forms of art including designing costumes for theatre and ballet. He was a set designer and also a writer of the Arts.  Piper also created tapestries for Chichester Cathedral and Hereford Cathedral, as well as designing numerous stained glass windows for various churches including the new Coventry Cathedral and the Chapel of Robinson College, Cambridge.
Looking at Piper's paintings however I can clearly see that he had a fondness of painting British Landscape, especially churches.
John Piper is considered to be one the most significant British Artists of the 20th Century. Here is a small selection of some of his work.

The Art Of Michael Jeffery

I have to say that I'm really taken by Michael Jeffery's art. I admire his ability to create a colourful abstract piece of work through combining shapes, colours and some text resulting in artwork which I feel shows incredible imagination and originality.
Michael Jeffery started as an artists by photographing graffiti and is influenced by torn street posters, road signs and old buildings. His graphic collages are put together using spray paint, stencils and paint skins which are a technique where many layers of paint are added to a plastic sheet. After drying Michael places the sheets to his collages on canvas along with photographic images, painting over some areas with acrylics or spray enamel. For extra colour and texture he sometimes adds fragments of metal or screws.
I feel his work is interesting and thought provoking while maintaining an innocence through simple shape and bold colour.

'My work is about the perception and attitude towards the landscape, environment and each other within the industrialised and other societies in the world today.' Michael Jeffery.

                                                             Landmark

                                                             Riff Raff

                                                             Red Planet

TEXTURE AND GRIT

Whilst I have been searching for the right scene to work with for my current project at Bolton College on Urban Landscapes I have been noticing the sights of the city closer up and in detail. I have found myself admiring the structure of scaffolding embracing grotty brickwork along with rusty signs and decaying notices often accompanied by graffiti.
Here are some of my photos.

 This scaffolding forms a near perfect grid which held my notice. The decaying building behind shows plenty of messy texture and I love the pattern of the steps which are left clinging to the wall. The off-white builders chainwall surrounding shows off spidery red graffiti and I feel this complements the whole picture adding to what could develope from it into an abstract piece of art.

 This is a close up photograph of a wall in Manchester near to Victoria train station. Here hides possibly an advert. I cannot read the text but I love the colours, shapes and patterns that is left behind.

 I was taken by the public notice stating that 'IT IS AN OFFENCE' along with the blue graffiti underneath. What's more the wall these words share has that grotty look that gives it texture, but also can prompt the question; What is an offence? Is it the abandoment of this wall and it's build up of City filth?

I like the pattern from this weathered paper poster found on an old door on an old building in Manchester. I enjoy the fact that some of the text is still readable while understanding though that this will change and become even more decayed in time.

Daniel Shiel: Art Here There And Everywhere

This blog is all about Art. Any art.

It is about art I want to share from others that I admire, whether they are a well known artist or virtually unheard of. Also this blog is about art that I've created myself or things I've come across that I find interesting. Those things may be buildings, people or objects that inspire me and so on. I hope to include photographs I've taken and work that I've done.
First of all though I am going to share some photographic art by Daniel Shiel, who I have recently stumbled upon. I admire his work and his ability to notice art in what many would dismiss as ugly and broken down. Having myself found an interest lately in the grit and decay that is probably never very far away, although harder to find if you look for it, I am delighted to say that Shiel has numourous pieces to enjoy. His work focuses on decay, destruction and the past. Considering this though, his work is full of colour.
Here are some examples.


DANIEL SHIEL. ACE.

DANIEL SHIEL. LACE CURTAIN.